I use various lip slurs and long tones, depending on what feels right. I'll then do the scale back up to the middle Bb (in the staff), and go up an octave, octave and a half, or 2 octaves.By that point, I'll have figured out what feels good and what doesn't, and do some warmups to try to even it out and bring up whatever doesn't feel like it should. A quick smoke usually also helps my lungs pump more air.go figureHow much, and what I warm up depends on how much I've been playing that day, what instruments I've been playing that day, how my chops are feeling, what feels strong and weak, and how much I played the day before.I always work from a point of stregnth.if my middle Bb is feeling good, I'll start from there, then do a scale down the octave.if that feels good, I'll keep going another octave (and lately that's where I've been getting a little hung up). Before I warm up with the tuba, I always try to get in some good buzzing to get my lips working. I continue dropping pitch until I cannot get a note any longer. I repeat this, each time dropping the second slurred note another half tone. Then I go down an octave at a time for two octaves, then back up again an octave at a time to my start point.I do that a couple of times, then head down to the basement.For low long tones, I usually start at C below the staff, then slur down to a second note a half tone lower, and then back up to C. ' target='blank' target='blankI normally warm up by playing a random note above the staff, usually a middle C, as a long tone. The undated document is called 'Tuba Clinic.' I'm going to try these suggestions from Sergeant First Class Scott Cameron, US Army Field Band, which I came across yesterday. This is not the time to do lip slurs into your screech register unless you are polishing your chops for performances that require said register.The whole thing takes about 15 minutes.For me, this regimen leaves me ready to do what I need (and have time) to do - daily routine, etudes, woodshedding for performance, performance, etc.YMMV.īuglerPosts: 63 Joined: Mon 5:46 pm Location: Greensboro, NC. Modify to suit.- Simple lip slurs (as flow exercises) also beginning on three partials. numbering of the partials may be inaccurate and beginning notes assume Bb instrument. 20 minute warm up routine for tuba pdf series#whole note F, dotted half note E nat, quarter rest whole note F, dotted half note E flat, quarter rest repeat chromatically through valve combinations then repeat beginning on B flat (4th partial) finish with the same series beginning on B flat (2d partial). About 4 reps of each pattern, mm=56.- chromatic long tones over one partial, i.e. Uneducated amateur that I am, this was a true ah-ha moment (or epiphany if you like more formal nomenclature).Demondrae's suggested warm up (from my nearly indecipherable notes) includes:- physical stretching.- 4 in/4 out and 4 in/8 out breathing away from the horn. During the June 2009 Miraphone Personal Development Academy at UNC-Greensboro, Demondrae Thurman did a session on warm up.My take-away from that session is that warm-up is separate from daily routine. At times, i just feel there is something I am missing that would help my playing.ThanksRyan. Certain types of exercises, etudes, anything.I am posing this question in search of some ideas to extend my warm up. I am wondering what you do that you believe is essential to your warm up routine: ex. I use many different lip slurs, scales, tonguing, and long tone exercises. I am wondering what you do as a daily warm up routine. Hello,As I am sure everyone will agree with, our warm up is an essential aspect of our practice. 20 minute warm up routine for tuba pdf pdf#20 Minute Warm-up Routine For Tuba Pdf Music.
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